Thursday, October 30, 2008

Chihiro Makio ... from jewlery to teapots


Simple, yet interesting jewelry is what I like to create. The most basic shapes such as circles and squares can be very interesting if they have character. I do not use decorative gemstones in my pieces because those stones tend to become the focal point of the jewelry. Rather, I create something interesting and pleasing to the eye and skin, by combining different shapes and textures of the metal. The colors I use on my pieces are often glass seed beads and sequins, and they are as beautiful as precious stones. I believe that it is my techniques and labor that’s making this jewelry valuable, not the value of precious stones.


I feel that the most important aspect to my jewelry is its craftsmanship. I often feel under-appreciated when I am referred to as a “designer”, because it sounds so far removed from the creation of the work itself. When I start working on a piece, a lot get changed in the process. Sometimes it evolves into something completely different than what was originally in my sketchbook. More often than not, something much better is created. Even though I have been working with silver for approximately thirteen years now, each design offers a completely different way of working with the material. Every design gives me new ideas but also some challenges I have to “figure out” a solution for.


Another very important aspect of my jewelry is its functionality. I find a lot of very innovative and beautiful jewelry out there that are non-functional as jewelry. I can’t imagine some of those would be comfortable to wear. My jewelry needs to be worn for a full appreciation. That is why I pay great attention to its shape, weight and volume so that the wearer can be totally comfortable while wearing it.

Thursday, October 23, 2008

Jeff Lloyd Dever - Polymer Clay Teapots and Jewlery


Jeff Dever received his Bachelors of Fine Arts degree from Atlantic Union College in 1976 and has been in the field of graphic design and illustration ever since. He is founding partner of the award-winning studio Dever Designs (1985) and its subsidiary Fresh Art, located in Laurel, Maryland. He is on the adjunct faculty for illustration and graphic design at the Maryland Institute College of Art in Baltimore, Maryland, and as a teacher/consultant at Southern Adventist University in Collegedale, Tennessee. He is a consulting Art Director for American Style Magazine and is responsible for the design of the article "Movers and Shapers" on polymer clay in the summer 1999 issue in which editors selected some of his polymer work. Jeff's 3-D illustrations have received numerous awards and his vessels have been represented in several national survey exhibitions. One of the highlights of his polymer clay career was to be present at Ravensdale 2000 and to have the privilege of being on its faculty.

Tuesday, October 21, 2008

Greg Fidler - Crude

ARTIST STATEMENT
The familiar essence of glass is derived from a manufactured utilitarian need. Processes in hand forming glass undermine these attributes and in effect give my work purpose.
It is my desire to produce sculpture that communicates progression while paying respect to traditional processes and their survival in the present. My ideas owe more to natural forms and my deference for the material than to consciousness obscurity.
ARTIST BIO
Greg was born in 1970 and raised in the Catawba Valley of North Carolina. He received a Bachelor of Science in Cultural Anthropology from Franklin Pierce College in 1993.
Greg has worked with numerous glass artists from Maine to Seattle, while attending classes at the Penland School of Crafts, Pilchuck Glass School, and Haystack School of Crafts. He graduated from The University of Illinois MFA Sculpture program in 2001 and is currently an Artist in Residence at Penland School of Crafts, Penland, NC.